The next generation..
the Bulol sculptures have become modern, as i make a change to something new.
ceramic artist
Hadrian Mendoza, a stoneware Potter, works with a fearless and audacious search for unusual and indigenous forms, including expressionistic and abstract shapes. Mendoza was a graduate at Mary Washington College in Virginia and a former student at the Corcoran School of Art in Washington DC, where he was awarded the prestigious Anne and Arnold Abramson award for Excellence in Ceramics in 1996-1997. He also organized the 1st Southeast Asian Ceramics Festival under the 2007-2009 Toyota Foundation Japan Grant. He curated the 2nd Southeast Asian Ceramics Conference and Exhibition in Fuping Pottery Art Village’s FLICAM International Ceramics Museum in China.
In 1997 he searched for his roots and moved back to the Philippines, where he slowly metamorphosed into an individualistic and nationalistic artist with a keen and hungry eye for Southeast Asia’s indigenous forms. He has made deliberate attempts at achieving heavy cultural undertones for his works. In 2009, Hadrian moved to Virginia, USA with his family and is currently the art director at St. Thomas More Cathedral School. A humble craftsman, Mendoza serves at the feet of his own cultural dilemmas as an artist.
His works are permanent collections in museums in Cambodia, China, Korea, Japan, and 3 renowned museums in the Philippines, which are The Metropolitan Museum Manila, The Ayala Museum, and BenCab Museum.
the Bulol sculptures have become modern, as i make a change to something new.
"Earth and Fire" installed at Linda's home, thank you! 2 of 8 panels visualizing the destruction of the Earth from the effects of natural disasters..
Thank you Louis Katz for these photos of how to skin a ceramic drum, with the help of Kim at The Workhouse Arts Center
my new works explore coil built Bulol figures in a position of offering. balance, peacefulness, and belief are expressed in these works. they are then carved with designs inspired by ali bata script.
i've been working with 'balance' in my latest works. how to make a piece stand despite movement in different directions. testing the limits of the clay. kim has also been working, she recently made a bust of 'Roja' as a ballerina..
my inspiration, the turtle..
the "udu" originates from the Igbo of Nigeria. 'udu' means 'vessel,' it was originally used as a water jar, and played by the women. a modern take adds a drum on the side, which creates a deep bass sound that resonates in the chamber.
a pleasant surprise on the back side of this udu, an image of the Philippine sun :)
after making over 800 "Bulol" heads using the closed form, ive decided to attach them to each other and create ikebana vases. its a balancing act in an attempt to defy the pull of gravity on the piece. the results: a lot of movement and swaying from left to right. some have said they are reminiscent of worms, buddah bamboo, and even sampaloc (tamarinds)..
i've always been fascinated with music and admired how musicians create songs with such ease. With this medium, i am able to explore sound in a new way.. i can create and adjust sizes and shapes to yield different pitches. my recent experiments include a circular bell xylophone and a triple headed drum. waiting to be fired
this room is brought back to life with some tints of green and a few rings..
a visit to Dala, Myanmar's Twante Pottery Village :)