ceramic artist
Hadrian Mendoza, a stoneware Potter, works with a fearless and audacious search for unusual and indigenous forms, including expressionistic and abstract shapes. Mendoza was a graduate at Mary Washington College in Virginia and a former student at the Corcoran School of Art in Washington DC, where he was awarded the prestigious Anne and Arnold Abramson award for Excellence in Ceramics in 1996-1997. He also organized the 1st Southeast Asian Ceramics Festival under the 2007-2009 Toyota Foundation Japan Grant. He curated the 2nd Southeast Asian Ceramics Conference and Exhibition in Fuping Pottery Art Village’s FLICAM International Ceramics Museum in China.
In 1997 he searched for his roots and moved back to the Philippines, where he slowly metamorphosed into an individualistic and nationalistic artist with a keen and hungry eye for Southeast Asia’s indigenous forms. He has made deliberate attempts at achieving heavy cultural undertones for his works. In 2009, Hadrian moved to Virginia, USA with his family and is currently the art director at St. Thomas More Cathedral School. A humble craftsman, Mendoza serves at the feet of his own cultural dilemmas as an artist.
His works are permanent collections in museums in Cambodia, China, Korea, Japan, and 3 renowned museums in the Philippines, which are The Metropolitan Museum Manila, The Ayala Museum, and BenCab Museum.
i have enjoyed experimenting with slips poured directly on bowls after trimming. nice fluid pours are evident in lines, where thickness can be controlled with the pour and the speed of running the pots under the slip. this adds another layer of visuals when it is time to glaze
